Final Audio B3, In-Ear Monitors: Dual Balanced Armature Drivers Sound Isolating IEM (B3)
B3
Sound design with consideration to the relationship
between spatial impression and dynamic range of
music as well as physical characteristics of earphones and headphones.
High clarity over entire frequency range and
beautiful high range sound enable to hear the delicate touch of
a piano and guitar picking perfectly.
Sound design has been undertaken with consideration to the relationship between the spatial impression and dynamic range of music, and the physical characteristics of earphones and headphones. Through research into the relationship between spaciousness, clarity and dynamic range of musical recordings, and the physical characteristics of earphones and headphones, we have learned that deeper enjoyment of music can be achieved through the target curves and driver design well suited to the sound design of music recordings.
The B3 model was designed with particular emphasis on clarity. It caters to those who wish to have the delicate sound of each musical instrument delivered gorgeously even from live recordings, and enjoy tight vocals from animated soundtracks and EDM. It comes equipped with a standard silver coat cable and employs an MMCX connector that makes it possible to switch cables in the event of a severed connection.
Features
Sound design with consideration to the relationship between the spatial impression and dynamic range of music as well as the physical characteristics of earphones and headphones
Sound design for these models has been undertaken with attention to the relationship between spatial impression and dynamic range of music, and the physical characteristics of earphones and headphones.
We have categorized sound creation on music recording onto these two axes: spatial impression and
dynamic range.
One way of thinking regards the distance perception. Classical and jazz recordings are thought to be performed with emphasis on aspects of spaciousness, such as sense of distance, broadness and reverberation. On the other hand, rock, pops and many of the recent animation soundtrack recordings, spaciousness is not as highly emphasized. There is thought to be greater emphasis on clarity, which brings the various instruments and vocals to the front.
Another approach is dynamic range - in other words, changes in loudness over time. If the dynamic range is wide, naturally it is possible to use the change in loudness over time to achieve a more dynamic expression of music. But, there are some types of music for which narrower dynamic range recordings are preferable to allow each of the instruments and vocals to ordinarily appear before the listener’s eyes.